Arts Practice

You cannot trust the open sky*

I grew up thinking the Palestinian people were bad, especially when bombarded by mainstream media and western leaders’ firm embrace of the occupiers, Israel.  I learned that the IDF were known as the strongest and lethal army in the world, but that was good because the Palestinians were all Hamas terrorists, right? This brainwashing rhetoric and my unquestioning behaviour when it came to Israel lasted much of my adult life, until now. With the horror live streamed on my phone every day, knowledge has become democratic. I have researched and read, watched speeches and sourced alternative journalism and academics to reverse decades of complacency and ignorant thought to create a body of work about the ongoing genocide and barbarity in Gaza by Netanyahu the IOF. This body of work includes several works created as a response to feeling helpless and powerless to change the inhumane narrative of the genocide in Gaza. I hope to create a resonance with these artworks to create a sense of shared understanding, emotion, or motivation and to influence public opinion to shape cultural narratives about colonisation and power.

I have listed the amount I will donate from any print sales of this work to UNHCR and it will be done in your name.

*this phrase by Suheir Hammad, an American Palestinian, Muslim poet.

A Meditation Of Death

“A Meditation of Death” invites viewers to contemplate the profound impact of conflict through a poignant marriage of technique and symbolism. Comprising 12 8x10” lumen prints, this body of work employs a meditative process. I have made a stencil by piercing approximately 2000 tiny holes into black card. That card is then placed over light-sensitive photo paper and exposed in sunlight for up to 15 minutes or so. The result in each unique lumen print is a series of tiny minute shadows, resembling a starry constellation when printed. They transcend their aesthetic nature to convey a sombre narrative. Each piercing acts as like a personal active protest, when most of the global reaction to what is happening in Gaza, is completely inert.

The resulting lumen prints serve as a visual metaphor for the countless lives lost in Gaza, embracing the innocence of children, the vulnerability of babies, the resilience of women, and the sacrifice of men. Each of tiny dots on the photo paper bears witness to the human toll exacted by the on-going genocide, urging us to confront the harsh realities of our shared humanity.

Each lumen print is then photographed digitally and manipulated so that shadow becomes light, and light becomes dark. The dark now becomes night with a constellation of 24,000 little deaths (as of the 3rd January 2024 when this was made).

The conceptual foundation of “A Meditation of Death” draws inspiration from the Maranasati meditation, a contemplative practice centred on the inevitability of death. This meditation aligns with the artwork’s overarching theme, encouraging introspection on the consequences of humanity’s dark history of violence and the impermanence of life.

As an artist, my intent is to challenge the notion that war resolves anything; instead, it perpetuates cycles of suffering, breeding hate through acts of terror and barbarism. Through the delicate, labor-intensive process of creating the stencil and then each lumen print, “A Meditation of Death” seeks to evoke empathy, fostering a collective awareness that transcends borders and ideologies. It beckons viewers to reflect on the shared fragility of life and the urgent need for compassion in the face of profound loss.

A Meditation Of Death

1.4m x 60cm fine art print - Unframed $1640 incl GST. From the price of this artwork I will donate $500 to the UNHCR in your name.

Framed option available for Australian residents. $1980 incl GST + freight. From the price of this artwork I will donate $800 to the UNHCR in your name.

This series, Watermelon Displacement, represents the diminishing size of land left for the Palestinian people in the Gaza Strip. Forced to evacuate from the north into ever decreasing “safe” pieces of land. In reality the remaining Palestinian people who are still alive, are crowded into smaller and smaller areas, so the smaller the wedge the more the people. I created the shape of the watermelon by piercing holes in black card. I lay the card over photographic paper in the sunshine for 15 minutes each time. I created the shape of the ever decreasing wedge by underexposing different sized wedge shapes.

The watermelon is a symbol of Palestinian unity, hence the shape used in this work. The Israeli government banned the Palestinian flag and its colours red, green and black in the 1967 war. During the Oslo Accords in 1993, the Israeli government lifted the ban. It is a powerful symbol for the Palestinian people. People are not allowed to have drawings with watermelons on it, OR to even carry a slice of watermelon.

Permanent Ceasefire Now!

Watermelon Displacement Prints

Each image printed onto fine art paper is 80x60cm unframed and $480 incl GST each.

From the price of this artwork I will donate $150 each to the UNHCR in your name.

A set of 5 unframed is $2200 incl GST. UNHCR DONATION $750 in your name.

Freight is exclusive to the prices.

The Flour Massacre

Using flour from my pantry I have created two works representing the horrific “Flour Massacre” in Gaza on 29th February 2024. Aid trucks were allowed into an area of Gaza. Over 100 people were shot by the IDF and many more injured. BBC Verify investigation here

Flour Massacre 1 (on the left below)

Unframed fine art print 18x12” $480 incl GST with UNHCR donation $150 in your name

Framed fine art print 18x12 $800 incl GST with UNHCR donation $250 in your name.

Flour Massacre 2 (on the right below)

148cm x 80cm wall chiffon hanging with red needlepoint $2400 incl GST

Empty Eid/Aid

Children and adults are starving in Gaza. This deliberate and inhumane act by the occupying Israelis, is in contravention to the UN. It must stop! Empty bowls photographed to look like they are on a table using the keffiyeh or kufiyyeh for a table cloth. I feel helpless watching the continued resistance of the Israeli occupiers to uphold humanitarian law and ensure people are fed. This was made for Eid Mubarak, when feasting after Ramadan should be happening.

Individual bowl fine art paper prints 16x16” are $350 incl GST each. Your UNHCR DONATION = $100 in your name

Individual bowl fine art paper prints 16x16” framed are $660 including GST. UNHCR DONATION = $200 in your name

ONE GRID of 16 framed 16x16” prints $8800 incl GST UNHCR DONATION = $3000 in your name.

Freight exclusive of the above pricing.

On the 30th January 2024 The Guardian published an article of the level of destruction within the Gaza Strip. The image above on the left is a screensnap of that article, and all the areas of red have been destroyed. On the right I created an artwork using that screensnap, and I made a lumagraph by exposing photographic paper in sunlight under black card that was punctured with little holes to make a stencil of all the areas that have been destroyed.

Gaza Stripped

Framed 16x24” fine art print $660 incl GST. UNHCR DONATION = $200 in your name

The Palestinian Action group in Canberra has been running rallies and protests for over 6 months. It is held in Garema Place on a Saturday from 1pm and they have speeches and updates. There has been art classes for kids and local musicians playing music too. It usually ends up with a march around the city. When I have attended Emma Davidson ACT MLA has spoken.

On the 15th April there was an international day of action and about 50 Canberrans blockaded the EOS factory in Hume. There were four arrests; Zev, Cate, Lana and Lucy, seen here below. On Monday the 6th May Cate and Lana faced court. I was there to make a portrait of the two of them before they went in. (see below).

Zen goes to court in a couple of weeks and I have yet to hear about Lucy. I have managed to make a portrait each of Zev, Cate and Lana as a tribute to their actions.

Below are also images from The Australian National University encampment. The encampment has four principal demands on ANU:

  1. Cut ties with all weapons manufacturing companies;

  2. Disclose and divest from all companies complicit in the genocide in Gaza; 

  3. Cut academic ties with Israel, including its exchange partnership with the Hebrew University of Jerusalem;

  4. Condemn the ongoing genocide in Gaza and the apartheid Israeli state. 

1 Litre of Water

According to UNICEF people living in Gaza have only access to 1 litre of water per day and the often that water is unsafe to drink. The World Health Organisation states that that 15 litres of water is needed per person for drinking, cooking and washing, per day. Israel has damaged 1/2 all water supply and sanitation facilities and most of the waste water and sewerage facilities in Gaza have been damaged. Link to BBC verified post here. This image is of a 1 litre plastic milk bottle with tap water in it, was made on the day I saw the news about the dire water situation.

My next work I hope to make a large cyanotype on a large piece of material, at the weekly Canberra protest. This will involve the people to lay down and hold still for about 10-15 minutes to create a large image of protesters hands. This act will be videoed also. Symbolic of so many things, hands can reveal so much. The first attempt can be seen here

Forbidden Colours

In 1988 conceptual artist Felix Gonzales-Torres created an artwork called Forbidden Colours. It was four separate panels 16 x 20“ in size. Each panel was painted one colour: green, red, black and white, so 4 in total.  Green, red, black and white placed next to each other in any form were forbidden by the Israeli army in the occupied Palestinian territories and have lead to being arrested, beaten up or shot. It wasn’t until the 1993 Oslo Accords that the ban was lifted though in 2014 Israel has once again stopped the use of the Palestinian flag in protests and in 2023 Israel’s Minister of National Security has once again banned the use of the flag in public spaces.

Gonzales-Torres’ artist statement about the artwork reads:

“It is a fact people are discriminated against for being HIV positive. It is a fact the majority of the Nazi industrialists retained their wealth after war. It is a fact the night belongs to Michelob and Coke is real. It is a fact the color of your skin matters. It is a fact Crazy Eddie’s prices are insane. It is a fact that four colors red, black, green and white placed next to each other in any form are strictly forbidden by the Israeli army in the occupied Palestinian territories. This color combination can cause an arrest, a beating, a curfew, a shooting, or a news photograph. Yet it is a fact that these forbidden colors, presented as a solitary act of consciousness here in SoHo, will not precipitate a similar reaction.
From the first moment of encounter, the four colour canvases in this room will “speak” to everyone. Some will define them as an exercise in color theory, or some sort of abstraction. Some as four boring rectangular canvases hanging on the wall. Now that you’ve read this text, I hope for a different message.
For all the PWAs.”

The artwork itself can be seen here

I have made 4 images seen here below and they are my homage to the Gonzales-Torres work, created by photographing a watermelon for the red, green and white colours and the night sky for the black. I aim to print them as 16x20” panels like Gonzales-Torres mounted side by side. As watermelons do not seem to have black seeds anymore, I decided to photograph the night sky. With a long 30 second exposure you can see the stars and satellites, moving overhead. When watching my sky through my lens there are just stars and satellites and it is quiet. Whenever I have watched footage from Gaza all you can hear the drone of the drones in the sky. In Gaza, ‘you cannot trust the open sky’.